One of the biggest questions we get about our 1830s ensembles is about the corsets, so we’ve made a video telling you all about them:
Both of our corsets were purchased from RedThreaded, who offers several different options. Mine is the “Sylvie” style with cording in the bust and torso, and the curved busk while Abby’s is the standard 1830s corset. Both are great and very historically accurate.
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| Sylvie Stays by Redthreaded – these are lovely |
I made some changes to my 1830s Sylvie corset. Since I have such narrow sloping shoulders, I added a single line of boning into each strap to help them stay in place. Corset straps from this period are a bit confusing when combined with the off-the-shoulder gowns. The straps are meant to sit out on the shoulders, but honestly it’s easy to see why corset straps disappear later on. Slippy straps were an issue then as now, with various innovations like springs and early rubber elastic used. I went with an earlier technology (1) of a piece of light boning and it worked just fine.
I also changed my back lacing to fan lacing. My obsession with getting dressed myself becomes a challenge with some periods, but luckily fan lacing is very easy and can be done on any corset with cross-lacing eyelets or grommets. Fan lacing allows you to put your corset on over your head, pull up the ties all in one motion, and tie everything off in front for the perfect fit every time. It looks complex, but it’s actually very easy. Here’s how to do it…
Every set of lacing holes gets one corset lace, so if you have 12 sets of holes you’ll have 12 separate laces.
Follow the above diagram for how to lace through the holes. Basically, when you pull both ends of the lace, it draws the edges of the corset together.
Once all the laces are threaded through the holes, pin them to a piece of fabric or cotton tape, etc., all together, on each side. The laces need to be shortened in the middle section, so do this part on the body or a dress form.
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| LACMA (link) – you can see each lace as it goes through its set of holes |
The next part is the trickiest. You need to give yourself enough room to get the corset on and off over your head. I got my laces too short the first time and got stuck in the corset. A good rule of thumb is that you want about a 2 – 6 inch gap in the front where your tabs wrap around and tie. Any less and you’ll get stuck; any more and you won’t have enough adjustability to cinch in as much as you may like.
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| LACMA (link) – here you can see how each lace is “corralled” into that tab, which in turn has its own tie across the front of the corset. |
Once the laces are adjusted, sandwich them into your little tab bit and securely stitch it all together.
You’ll *love* this technique! You can also do it on Regency stays (which I definitely plan to do). Give a try! There is no alteration to the corset itself and you can always go back to regular back lacing if you don’t like it. 😉
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(1) You can see boning in the straps in 18th century stays in Norah Waugh’s Corsets and Crinolines.
