There was never a better time to start something than so close to a deadline, but with just a couple days of hard graft, I’m surprised and relieved that the gown is actually almost done!
|Something along these lines. Initial sketches for the gown design
As I mentioned before, I couldn’t find a pattern for what was in my head. I decided to alter an existing pattern instead, the raglan-sleeved Simplicity 2406 I used to make my Miss Fisher blouse earlier this year.
|Ideas for altering a raglan sleeve bodice
I slashed-and-spread the bodice to add in width to then be gathered at the neck edge and below the bust. Not too hard, just required a lot of tape. The really challenging part, though, was the sleeve.
|My muslin mock-up. I thought the weight and drape of the velvet would sort out that sleeve. I was wrong.
I wanted a big puff sleeve, so I slashed and spread the lower half of my sleeve pattern to create a large bell shape. My intention was to gather that lower edge, interline with tulle, and stitch it to a lining that was shorter in length, so it would pull the puff under and up to create the volume.
|The sleeve in velvet wasn’t looking any better. I pinned a tuck in to see if I could fix it to my liking, but me no likey, so time for Plan B
That didn’t work. Altering a set-in sleeve for that effect would be no problem, but a *raglan* sleeve…well, it was beyond my feeble patterning skills.
Quick change on the fly! I picked out all those shirring stitches on the sleeves, cut a facing for the cuff, and shirred it all again, turning under the cuff and securing the stitches. They’re not the big 1933 poofs I had envisioned, but I’m really happy with the sleeves now.
|Quick sketch with Plan B sleeve construction
There’s another thing I’ve learned the hard way on this project – shirring. Shirring in its most basic state is not difficult. You run many lines of gathering stitches, pull all the threads up, and there ya go, right?
You gotta secure it, and stitching across the end ain’t gonna do it. I know this because that’s what I did, thinking it was all grand, and then all the shirring pulled out of the neck as soon as I went to put the bodice on the dress form! UGH! Shirring has to be secured to some sort of lining. I’m using lightweight dupioni silk that happened to be the same color. I’ve turned facings on the neck edge and sleeves and stitched over the gathering stitches, through both layers. If I have time I’ll pull the gathering stitches out, too.
|The neckline turned with a facing, and the shirring stitched through
Now the bodice is pretty much done! I gathered the bust edges and stitched on the front and back skirt pieces, leaving the side seams open until the very last. I’ve used the same pattern piece for the both front and back skirt. This may seem like a no-no, but my secret is that the velvet is actually *stretch* velvet and it’s cut on the bias.
(I’ve become a stretch velvet convert, as a substitute for silk velvet, which can be hard to find and afford. Why? The stretch velvet has been easy to work with, does not crawl when pinned together, is robust enough to withstand picking out lots of stitches, drapes amazingly, is washable, and doesn’t leave velvet droppings everywhere. As always, choosing the right fabric for the job is important: I would never ever ever recommend this material for historic periods prior to the Aesthetic movement, but for drapey, “watery” velvet creations of the 1920s, 30s, and 40s, heck yes)
|Working out the skirt pattern in muslin, using a basic straight 1930s skirt sloper, omitting the dart for a shaped side seam, and adding a bit at the top to meet the empire waistline of the bodice.
I’ve treated this like a knit, omitting darts and going for side seam shaping only. There was no need for separate front and back skirt panels, but there will be a need for some seriously smoothing underpinnings. All ’30s gals know, we must “ensure our figure lines!”
|Nearing completion! The belt is a stand-in, obviously.
My last tasks are to stitch up the side seams, add a loop and button for the neckline closure, make the belt with the sparkly buckle, and hem. I can surely do that all in just an afternoon. Then it’ll be done for the Christmas party next weekend!