|The met, 1700-1720|
Have a look with me. :-) The hallmarks of late 17th century and early 18th century shoes are:
- Pointed toe
- Large Louis heel
- Latchet OR tab closure
The heels of the early 18th c. are often quite high, and actually get shorter further along in the century. They are broad, chunky, and "waisted," some quite a lot, and some not so much.
|Let's compare and contrast...|
For Pompadour, the heel we developed is exclusive to American Duchess, and you can expect future mules and latchet Pomps using this same characteristic heel and pointy toe.
So here are the inspirations!...
|Shoe Icons Museum, 1690-1720. These have a tabbed closure, are made of a brocade textile, and exhibit the pointy toe and large chunky French heel.|
|Whitaker Auctions, c. 1720. These are a latchet shoe with a dog-leg seam, gold brocade fabric, beautiful!|
|From The Met, early 18th c., red leather with wooden heels that are surprisingly quite straight.|
|The Met, 1732-59. These are a "laced" shoe (the topical application on the toe), textile with a leather heel, like Pompadours|
|The Met, 1690-1729. Very intricately laced leather shoes, early in the century, with a killer pointed toe|
|The Met, early 18th c. Textile upper with a tabbed closure, like Pompadours, and a leather-covered heel, fairly straight.|
|V&A, 1760. This is late in the typical span of this style of shoe. You can see the construction has started to change a bit, but the big-ass heel is still en vogue|
|The Met, 1733-55, another laced shoe with a dog-leg seam.|
|Northampton Museums & Art Gallery, said to be worn by Lady Mary Stanhope in 1660, very early! but you can see the pointed toe, tabbed closure, and large heel.|
|The Met, 1710, a laced shoe, textile upper, and a HUGE heel.|
|Black Pompadours - brocade upper, tabbed closure, and leather-covered Louis heel|
Here's some more good news - ivory Pompadours are dyeable, and it's REALLY easy to do. I tried painting on RIT, and they look wonderful. They're even easier to dye than the Georgianas.
|I'm not recommending trippy fade effects here - just testing the dyeability!|
|American 18th Century Catalyntje Post, c. 1747 Gift of Edgar William and Bernice Chrysler Garbisch 1980.62.34 National Portrait Gallery DC|