Autumn Beauties - Pre-Order Now Open!

How long has it been since we've done a pre-order for NEW historic styles?! We're happy to finally be introducing some gorgeous new shoes for Fall this year.

Shop Gleeful for $20 off

July 20 - August 10 at

AmericanDuchess.com

Meet the new girls...

Molieres in black leather are your go-to shoes for Edwardian and 1920s looks.

Molieres are also gorgeous in ivory! Wear them for Summer events or paint or dye them any color you like!

The new Louis heel is exquisite and only 2.25 inches

Moliere Edwardian Pumps
A new heel, a new last, a new and very exciting design. Perhaps the quintessential Edwardian shoe, this elegant design was incredibly popular for the early 20th century into the mid-1920s.

The flared tongue, cross-over strap, and curvaceous French heel combine to create a beautiful and versatile pump. Wear the Molieres as-is or hook fancy Edwardian shoe clips to the strap for endless variations.
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New Dashwood Regency Slippers in tan/brown or black/black with ivory embroidery on the toes and our historic trades stamp on the insole.

We tested the Dashwoods at Jane Austen Festival with much success - comfortable and cute!

The embroidery on the toe is done in ivory stitching and based on an original design.

Dashwood Regency Slippers

The Regency era was a wonderful period for footwear. Cutwork, painting, embroidery, foxing - all were popular on these simple slippers, lending interest and fun to otherwise plain shoes. Our new Dashwoods play with color and texture, combining leather, sateen, and embroidery for a unique look.

The Dashwoods are based on several antique examples and are cute, comfortable, and accurate for 1800 - 1820.
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Cutwork, straps,buttons, broguing, French heels - the goodness goes on and on!

They're everything you hope!

Colette Edwardian Button Boots

You may recognize these stunning boots as the winner of a previous "Exclusives" poll. Due to the popularity, we decided to move these to our regular production line! Based on an exquisite original pair of boots, our Colettes are true-buttoning boots with four adjustable straps. Decorated with cutwork and a capped toe, a flash of these beneath your petticoat is sure to set hearts a-flutter.

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Abby's Jane Austen Fest Dinner Dress - a Lesson in Plan B...or...C?

Hey Lovelies --

So the last time I blogged about my Jane Austen Fest Dinner Dress I was totally jiving on this idea of making a tunic and turbany/chiffonettey thing to wear on my head. It was going to be awesome. And Fabulous. And Awesome. Right? Right.

Wrong.

Between a mix of procrastination, other work responsibilities, and a fabric debacle, here I sit the day before we fly out to Louisville, Kentucky (sooo excited!) with no tunic & no matching turban...this is a bit of a bummer, but luckily I am very happy with how things have turned out for the gown so far. I'm going to be doing a quick dress rehearsal of all my things to make sure it does all actually look good before I pack everything up in a suitcase, and pray that my design choices will work for the late 1790s.

My materials: Black/Green Silk Sash, Block Printed Indian Cotton Gown, and Vintage Gold Trim for my neckline and sleeves (I think I have enough trim for all of that...eek!) 

What does make me happy about this outfit is that is has become a purely stash-busting ensemble. All of the fabric and trim I have had for several years now, and so I am very excited to be putting them all to good use! 

The gown came together very quickly and easily (for once...ha!) and I was able to put it mostly together over the past few days. Here's a shot of the back after getting the sleeves and shoulder straps set & sewn in (my least favorite thing....sewing shoulder straps drives me bananas!)

I'm really happy with how the fit of this gown came out, and that the pattern layout is pretty symmetrical on both sides!

Here's a shot of the interior back of the gown. I left a lot of edges raw, based off of originals I've studied. There are some stringy bits here and there, but it does seem like everything is going to hold up very well! 

Now that the construction of the gown is finished, I've been working on the green sash and trying to figure out how to attach the trim around the neckline of my gown. You see, being vintage gold foil trim, it doesn't want to gather up in any way & I know it will be very scratchy around my neckline. So this means that I need to figure out how to keep the trim off my body as much as possible on top of having a smooth connection between the front of my bodice and the shoulder straps/back. I think I've figured it out, but I wont know for certain until it's all put on and I get dressed in everything for a final check this afternoon!

So far it looks like whipping the trim (edge to edge) to the under-bodice and smoothing it out is going to work...but I'm still a little nervous that it's going to give me fits! 

As for the sash, the green silk (got it from Burnley and Trowbridge a few years ago) is nice and thin, so I was able to hem the yards and yards using very fine running stitches. It made for a much quicker process than my normal hem stitching.

Please excuse my chipped nail polish! :D

So, that's where I am right now...almost finished and hoping that everything will work out to create the best possible outcome for my Saturday outfit! I'm beyond excited to attend Jane Austen Fest in costume this year and see all of my favorite people, too.

Finally - One of the other things I'm very excited about with this outfit is the fact that is is also based off of the bodice pattern and instructions that we used in our book The American Duchess Guide to 18th Century Dressmaking. It proved to me our theory that you can take the basic bodice shape and create a completely different looking gown just by a few tweaks here and there! If you haven't done so already - you can pre-order our book via Amazon (or Barnes & Noble or your favorite online book retailer) today.

Click here to Pre-Order the book now!! Hooray!

<3 <3 

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The Robe a la Turque - Progress!

Hi, it's Lauren...

I promise, I HAVE been sewing. Promise! It's just been sllooowwwwwww.

It's time to light a fire under my split bum, though - Costume College is in a few short weeks and there is much sewing to be done!

A refresher - Mademoiselle Guimard by Jean-Baptiste Greuze, c. 1790. There is so much detail in this costume!

So far on my Mademoiselle Guimard ensemble I have completed the super pink puffy pants that go under everything else. I'm tickled to death over these, but you'll have to wait for a decent photo. ;-)

The pleats on my pink puffy pants. I pleated and finished the waist like a petticoat, split on the sides with waist ties.

I've worked through most of the gown as well. The yellow portion of the ensemble is an entirely separate Italian gown. I used a very basic bodice cut on me by Abby, just two pieces and sleeves, but with alterations to the front - I added waist tabs (a trend in the 1780s) and extensions to the center front that fold down to reveal the contrasting lapels.

The back of the bodice - in the interest of time, I went with the simplest solution for the Italian gown back, just two pieces instead of four. This CB seam has two boning channels stitched into the lining and a waist tie stitched at the CB.

Patterning the bodice front to include tabs and an overlap for the lapels. I made some mistakes here that needed to be corrected by way of fiddling later. This kind of tabbed bodice was popular in the 1780s.

The bodice front alterations were trickier than I anticipated. I didn't cut the tabs high enough at first and they were an absolute bear to finish the edges. Something also went awry with the lapels and I had to fiddle them into submission. I want this gown to be versatile, so I need the lapels to close up flush. That meant a less extreme shape for the points, but they mirror the gown in the painting closely enough.

The lapels on the bodice are lined in lavender taffeta and trimmed with a silver leaf pattern trim. I found this on Etsy from an Indian shop.

The rest of the gown went together as expected. I basted up the waist seam, then lapped it over the pleated skirt using a prick stitch to attach the two and an applique stitch carefully around the point of the bodice.

Teeny tiny pleats for the gown skirt - these could have been smaller, too. I pleated, then vertically basted before lapping the bodice waist edge over and prick stitching down. That probably sounds intimidating, so we've included all of these techniques in our book coming out in November.

The bodice and skirts attached. There are a couple ways to do this - I chose to lap the basted-up bodice waist edge over the skirt and prick stitch most of it, then applique stitch around the point. On the inside, the top of the skirt is left raw, split at the center back seam, and folded downwards. I'll show a pick of this later on.

The last operation for the gown is to set the sleeves, yet to be done.

I went ahead and made the sleeve ruffles and stitched them in, before setting the sleeves. The sleeve ruffles are made from vintage tambour net lace, folded over and whip-gathered to a cotton tape.

Next I will work on the Polonaise part of the outfit - the blue robe. I've draped the pattern and cut the fabric, but there is *much* work to be done. More on this part later!
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p.s. I'm putting this gown together using methods we teach in our upcoming book, The American Duchess Guide to 18th Century Dressmaking.  Our book comes out November 21st, 2017 and available to pre-order now - click here.

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Who's That Girl? Meet Tina Vines

Who is that gorgeous new face on RoyalVintageShoes.com, our Facebook, and Instagram? Meet Tina Vines, vintage fashion enthusiast and entrepreneur.

Tina modeled a beautiful original vintage western outfit for our mid-Summer photo shoot recently. With her unique aesthetic and up-for-anything personality, we knew she was the perfect '40s gal for this imagery.

We chatted with Tina about her style, business, and tips for vintage lovers. Read on...

RVS: How long have you been into vintage fashion?

TV: I've loved "old things" since I was a kid, which I'm sure began when my grandma would take me antiquing and to yard sales in the south. I was very experimental with my clothing as a teenager and liked to make and alter my wardrobe in any way possible, although "vintage" wasn't really on my radar. However, once in college, I began majoring in Apparel Design and delved into fashion history and clothing design. I developed a great love for vintage fashion, but didn't start dressing in a vintage style until I was about 25.

Tina modeled the "Dolores" 1940s Slingbacks in green. Click through to shop these shoes.

RVS: What is your favorite decade?

TV: I've always loved the hairstyles and clothing of the 1940s over any other decade. The styles are so feminine and glamorous yet practical/wearable. I love the figure-flattering narrow waist and broad shoulder silhouette as well as the knee or calf length skirt. There is also a playfulness to 1940s fashion that appeals to me: novelty prints, platform shoes, playsuits, fun separates, vibrant colors, etc.

RVS: What is your favorite style or genre within your vintage focus?

TV: I really love vintage western wear! I've grown more obsessed with it in the last few years and have really embraced the style. There were great western films being made in the 1940s and 1950s, my favorites feature Roy Rogers and Dale Evans. Western wear grew in popularity at this time and there were such beautiful garments being made. I love the heavily embroidered western shirts worn in the movies, rhinestoned and fringed suits worn by western singers as well as the more wearable styles that were seen on ranches and/or worn by real cowboys & cowgirls. There is also a related style/genre that I love which is southwestern inspired fashion. I collect vintage southwestern jewelry and Mexican embroidered blouses, which I love to mix with my western wear.

RVS: What are your styling tips to newbies getting into your favorite vintage fashion focus?

TV: Hmm..I guess I'd say that it is easy to look too costume-y when wearing western wear. I would suggest looking for inspiration in gals like Dale Evans who wore the western clothing in a classic way.

RVS: Where are you favorite places to shop?

TV: I love to scour antique malls and vintage stores for treasures but also buy on Etsy or Ebay. I'm quite a bargain hunter, so I tend to wait until I find a good deal. However, I will splurge every now & then when I find the PERFECT item at a Vintage Expo or shop.

RVS: Do you have any beauty/styling tips for hair/makeup for our readers?

TV: My simple beauty tips are - set your hair with foam rollers and setting lotion (Lottabody) for that classic 40's wave, do a strong yet natural brow, use neutral eye shadow shades ( I like colors in the tan/brown/copper family), apply a nice mascara and of course a bold, matte red lip! My favorite lipsticks are Sephora cream stain (color 01), Besame Red Velvet and Mac Russian Red. For mascaras, I like Besame cake mascara and Benefit Roller Lash.

RVS: Do you work in the vintage fashion world? What do you do?

TV: I do custom chainstitch embroidery using an industrial embroidery machine that is just over 100 years old. This kind of embroidery is commonly seen on vintage western wear, bowling shirts and letterman jackets. I do a wide array of custom work but especially love doing vintage lettering, floral designs and western motifs. I also make felt purses and patches which I sell in my Etsy shop, Vines of the West.

RVS: How can we find out more about your business/products?

TV: I have a website for my embroidery business, Vines of the West, as well as an instagram page & an etsy store!

Website: https://www.vinesofthewest.com
Instagram: https://www.instagram.com/tina_vines/
Etsy: https://www.etsy.com/shop/VinesoftheWest

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It's a Revolutionary SALE!

Ladies, it's that magical time of year when we put a bunch of stuff on sale.

This year we've got quite a bit to go:

• Pemberley Regency Shoes
• Gettysburg Victorian Side-Lace Booties
• Tango Boots in Oxblood
• Dunmore 18th Century Shoes in Dyeable Sateen
• Bronte Victorian Slippers in Black Kid Leather
• Victoria Carriage Boots

Additionally, we have Imperfects! We only have a pair here and a pair there, so don't wait.

Dunmore in white sateen dyed bright red with the heels painted white

You all know the deal - we're raising funds for new and exciting styles. On the way we have a ginormous restock of all the favorites - Astoria, Kensington, and Gibson - along with new Regency slippers, a new Edwardian pump, and the stunning Colette Boots. More on these new developments later (promise!)

Check out the SALE section at

AmericanDuchess.com

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